HOW TO CHOOSE GUITAR?.
. General expressions of acoustic guitars Guitars can specify something commonly known as Folk Songs (equipped with steel strings), Classical (embedded in nylon strings) or Jazz Manouche (Argentinian ball or round steel strings).
. Before making a purchase, it is necessary to make an individual assessment: what my training level is, my music preferences, my real needs, my requirements, my budget …
. After this first step, you will then be able to approach a more technical study of the different criteria to choose the guitar (strings, format, essences …) to detect in the offer. Diversified market, musical instruments will best meet your expectations.
1 – WIRE: STEEL OR NYLON?.
Folk guitar (steel string) or classical guitar (nylon string) do not offer the same kind of sound and the playing feeling they provide is very different.
Nylon strings have softer and more pleasant contact than stiffer steel wires and take time to adjust to the calluses that form at the end of your fingers.
On the other hand, the neck of a classical guitar is usually more consistent and therefore more limited than that of the Folks guitar of similar configuration to that of an electric guitar.
In terms of sound, the nylon string guitar has an intimate character that suits the classical style, Flamenco, Brazil (Bossa), Song France (Harrison), and certain varieties of jazz.
, the iron string guitar is usually clearer and more powerful completely flexible, allowing access to a range of registrations: Folk, Country, Rock, Blues, Jazz, French Songs …
2 – GUITAR ACOUSTIC OR SOUND?
Please note that it seems useless to invest in electronegativity if you plan to use your guitar in a completely domestic environment; as long as you don’t play in a group and more specifically in concert, preamplifiers won’t help you. Instead, dedicate all your finances to a simple phonetics; For the same price, it will definitely sound more expressive and warm. In contrast to the stage and in some recording conditions in the studio, electrophoresis is extremely practical
3 – WOOD SPECIAL OR WOODEN PRESS?.
A guitar can be made entirely or partially wooden, laminated or a combination of both.
High-end musical instruments usually belong to the first type (all solid types) and inexpensive models for the second type (all grades). Manufacturers offer many intermediate (midrange) models in which only the soundboard (the decisive factor in the sound of the instrument) is very large, bringing very good compromises.
A giant board is obtained by gluing vertically and on their sides, two symmetrical pieces, previously cut using a technique called butterfly technique (suitable for books in English); Rough planks were sawed on its middle shaft.
the guitar will develop and in principle improve over time. We also note that sound is richer, defined and articulated.
– Disadvantages: more fragile structure
The laminated board is a superposition of laminated panels between the outer film including more noble wood to ensure a consistent aesthetic.
– Advantages: lower production costs and stronger guitars
– Cons: sound is “frozen” by glue and will only grow very moderately. These instruments also lack a definite definition with the sometimes bogged but flattering sound that might be suitable for beginners.
4 – FORMAT OF GUITAR ACOUSTIC?.
For over a century, manufacturers have developed many variations of models that can meet specific requirements in all guitar worlds.
However, everything changed completely in the 1920s, the acoustics had to be remade to be able to withstand the additional tension created by the use of new steel wire, instead of the traditional and little gut conductor. more stressful (they were later replaced by nylon strings).
In this area, the Martin companies (with their 14,000 or Dreadn think models 14 frames without body) or Gibson (Necessary J-45 or Super Jumbo J-200 shoulders) are the breakers. Cancellation has set many construction standards in this area.
The classic guitar is characterized by a fairly compact body size, which is easy to access. The handle has twelve non-cash boxes, with a fairly wide configuration, with a flat surface. Used in classical, Brazilian, Jazz and French music.
Dread thinks pattern.
Dread think format is undoubtedly the most popular and popular; It was developed to exacerbate the bass frequency and volume of the instrument, allowing the sound to be distinguished in the context of the orchestra. Acoustic Dreadn think guitar is the one that has the last rhythm; Flexible, they can be played with an option or a finger selection. Their sleeves, with slightly rounded fingers, usually have fourteen frets on the outside of the body.
Invented by Gibson in response to Martin’s Dread think, it’s also very popular. Its large body provides generous power and depth. In order to maintain a uniform frequency balance, this format is often combined with maple essence, a density that enhances treble and high midrange. Jumbo is therefore also a remarkable guitar melody.
Type Grand Concert.
Sometimes labeled Parlor, 00 or Double-Oh, these guitars are directly inspired by the design of classic guitars. Known for their pinnacle from the late 19th century until the 1950s, they are also appreciated by Blues guitarists, Folk songs, Finger pickers’. The Grand Concert format acoustic guitar impresses with comfortable ergonomics, clear sound and surprising strength when considering their moderate size. Martin guitar type 00 is the symbol of this.
The Grand Auditorium style auditorium presented by 000 Martin guitars (see Signature Eric Clapton) is a compromise between the Grand Concert and Dreadn think genres. Many Grand Auditorium has a protruding back to increase the volume of the body without compromising comfort. They have very balanced sound and represent a very good replacement, adaptable to all users: domestic, stage, studio.
These guitars have a very distinctive sound of the legendary Django Reinhardt. Most often offer a cutaway to facilitate acute access, so there are only two variants: smallmouth or largemouth (mouth specifying rose). Bigmouth guitars are often used to play rhythms, while smallmouths are for soloists.
5 – CHOOSE WHAT TYPE?.
Each nature has a distinct sound identity that clearly affects the characteristics of the instrument.
In essence, essentially by its density, transmits the energy caused by vibrations of the string in a specific way. The proportions of this element will vary depending on the element of the guitar in which it operates (table, back, sides, neck, bridges).
In addition, the same species may have different sound levels as well as visual performance, helping to better understand the large price difference between clearly similar instruments.
WOOD WOODEN (WOODEN WOOD, DENSITY 0.55 TO 0.80):
Also used in the manufacture of acoustic guitars such as electric guitars; It covers the back and the sides of most folk steel wires, all price ranges combined. It’s a wood that produces exceptionally warm sounds with a remarkable note. Its bass is full, solid mids and smooth treble.
TUYET WOOD WOODEN (TUYET WOOD WOOD, MEDIUM Density 0.56):
Originally used by Spanish guitarists as part of classical guitars, Cedar has been popular for the past thirty years, often used in creating acoustic panels for guitars. wire.
Less dense and more flexible than Spruce, it’s a softwood with a round and smooth but well-balanced timbre, with overtones * also distributed across the spectrum rather than focusing on bass and treble (* tones) Over frequency multiplier is added to the base frequency and gives a device-specific characteristic). It is also very aesthetically appealing (grain and color).
BIRCH (WILD CHERRY, DENSITY 0.58 TO 0.61):
At the crossroads between Acajou and Maple with an emphasis on vehicles, Cherry is a great choice for the back and sides of the mid-range guitar. It is specially used by Godin company (acoustic Seagull, Art & Lutherie, Simon & Patrick) famous for its outstanding value for pre-production.
Grapefruit (GINGER, MEDIUM DENSITY 0.45):
Uncommon species, mainly devoted to flamenco guitar.
EBONY (EBONY, DENSITY 1.03 TO 1.19):
Ebony is an extremely dense, premium-grade wood used for use as a wooden frame and easel. It has compression and natural light that adds to the precision of sound.
SPRUCE (SPRUCE, AVERAGE DENSITY of 0.47):
Spruce is the standard nature for producing soundboard for acoustic guitars (also used in the production of violins or mandolins). Its own hard-to-weight ratio creates an optimum speed of sound making it ideal for this use.
SPRUCE SITKA (SITKA SPRUCE, AVERAGE DENSITY of 0.43):
The dominant variety of Spruce, on the other hand, Sitka Spruce, on the other hand, is the basic overtones ratio (overtones are added to the main frequency and bring a specific characteristic to the instrument), which has a strong sound. strong and direct ability to maintain clarity when the guitar is played with high intensity (in return, an overly silent attack can leave an impression of subtlety in sound).
MAPLE (MAPLE, DENSITY 0.55 TO 0.84):
This wood is used to make neck, frets and electric guitar. In the context of sound, it often forms the back and sides. This is a fairly dense and hardwood, which produces exceptionally good vibrations, with a very crystalline and high midrange characteristic, suitable for group play (good combination) and electronegative models ( less sensitive to feedback). It is also appreciated for fiery (flaming), wavy (blanched, curly) or speckled (pigeon) lines.
WOOD PIG WOOD (HONG CHOC WOOD, MEDIUM DENSITY 0.85):
Rosewood is essential in the design of the most advanced acoustic guitars. Denser and heavier than Acajou (wood is also very common in acoustic production), this nature has a fast diffuse, wide ‘overtones’ range (sharper than the base frequency complementing it and weathering it). rich it), solid and complex low frequencies, and a clear and limp mid-treble pair.
KOA (AVERAGE Density 0.55):
Koa is an amazing exotic alternative that blends the average aspect of Mahogany with the crystals of Maple. Due to its density, a new guitar in Koa will tend to sound a bit harsh and “tight”, but the more it plays, its sound will open, enrich and softer.
OVANGKOL (AVERAGE Density 0.85):
Rosewood’s African parent, Ovangkol, with its regular aesthetics, has key features with noticeable full and premium mids but is still less prominent than Maple. It has been successfully marked by the Taylor company.
SAPELE (AVERAGE Density 0.55):
Sapele is a great replacement for mahogany with the durability and most of the frequency range, with additional gloss.